Author Topic: Weekend 22nd-24th August (Read 15643 times)

Fluminian · « **on:** August 22, 2014, 06:33:13 AM »

Minolta Dynax 7000, Minolta AF 28-105mm f3.5-4.5, Ilford FP4+, Xtol.

Minolta Dynax 7000, Minolta AF 28-105mm f3.5-4.5, Lucky SHD 100, Xtol.

Peter84 · « **Reply #1 on:** August 22, 2014, 09:15:41 AM »

So last week I was in Berlin for a couple of days, only had my AE1 and XA2 with me and shot 4 rolls of 35mm. I gave Lomo cine200 another go and well it gave that 80's look a lot more then with the first roll.

Lomo cine200 Berlin AE1 051 par Peter Stoel, op ipernity
This was at the old airfield Tempelhof, they stopt using it in 2008 and it's a leisure park now...

Lomo cine200 Berlin AE1 048 par Peter Stoel, op ipernity

Lomo cine200 Berlin AE1 041 par Peter Stoel, op ipernity
A little south of potsdammerplatz I found this old GDR watchtower, bought By three guys after the wall fell, only with the last shot the film didn't advance correctly so half the frame is double exposed. Looks a bit like a frame jitter in an old 8mm camera....

Paul Mitchell · « **Reply #2 on:** August 22, 2014, 01:00:14 PM »

Excellent set of images Peter

Just the one pinhole from me this week.

Zero 2000 • Ilford Delta 100

Paul

Mab · « **Reply #3 on:** August 22, 2014, 01:36:16 PM »

Just a simple souvenir shot from an expedition to Russian Karelia last June. The film used here is 35mm Fuji Superia Xtra 400 that I shot at EI 100 and developed in a normal way. Colour balance is quite good IMO. The ugly "Fuji green" is also gone but I can see just a tiniest amount of brownish tint. Almost no visible grain. It looks much better than shooting the film at box speed. You might want to waste some Fuji Superia Xtra film and try it at EI 100-160 sometimes.

02Pilot · « **Reply #4 on:** August 22, 2014, 02:38:07 PM »

Still working my way through the many frames of vacation photos. Here's a sample - Canon L1, Canon 35/2.8, Tri-X in Caffenol-C-H (RS).

Terry · « **Reply #5 on:** August 22, 2014, 03:15:31 PM »

More holiday snaps...some Portra 160 in the Yashica 44 around Montreal

William St par Terry B, on ipernity

windblown par Terry B, on ipernity

SLVR · « **Reply #6 on:** August 22, 2014, 03:48:58 PM »

some XX @ 1600

Untitled by nownownownow, on Flickr

Bryan · « **Reply #7 on:** August 22, 2014, 04:05:42 PM »

I had to drive across Washington State earlier this week to look at an upcoming project in Idaho. These were all taken in the Palouse of Washington on Monday and Tuesday. They were shot with a Rolleiflex Automat 3.5 TLR Using Kodak Tmax 100. Semi-Stand developed in Adonal 1-100 for 1 hour.

Grain Elevator by bac1967, on Flickr

Crumbling Crates by bac1967, on Flickr

Harvester by bac1967, on Flickr

Indofunk · « **Reply #8 on:** August 22, 2014, 04:07:48 PM »

I like TinTin's WIN$$$ and BAC's harvester!

SLVR · « **Reply #9 on:** August 22, 2014, 04:10:11 PM »

Thanks 'funk!

one more

Untitled by nownownownow, on Flickr

Bryan · « **Reply #10 on:** August 22, 2014, 04:14:44 PM »

Thanks Indofunk and those are great night shots by Tin Tin. I usually do long exposures at night but I should get some of that 1600 film.

Indofunk · « **Reply #11 on:** August 22, 2014, 04:19:20 PM »

Once I get my HiMatic fixed (??) I plan to use it as a dedicated "Tri-X at 1600" camera

Adam Doe · « **Reply #12 on:** August 22, 2014, 04:21:57 PM »

Expired Film - Diamond Restaurant Table Setup by adoephoto, on Flickr

I don't know why, but I always find myself shooting the condiment setups in restaurants when I stop in for a bite.

A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

SLVR · « **Reply #13 on:** August 22, 2014, 04:22:20 PM »

an F1.1 lens would help too!

Its actually just regular old DoubleX pushed from 250 to 1600.

Indofunk · « **Reply #14 on:** August 22, 2014, 04:38:54 PM »

Quote from: Adam Doe on August 22, 2014, 04:21:57 PM

A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

gsgary · « **Reply #15 on:** August 22, 2014, 04:54:02 PM »

Quote from: TinTin on August 22, 2014, 03:48:58 PM

some XX @ 1600

Untitled by nownownownow, on Flickr

Untitled by nownownownow, on Flickr

I can't wait to sort out my Double X so it will fit my bulk loader if they look this good at 1600, what developer did you use ?

gsgary · « **Reply #16 on:** August 22, 2014, 04:56:45 PM »

My 2 best mates, Orwo UN54, M4-P + 50F1.5 asph Nokton

Bryan · « **Reply #17 on:** August 22, 2014, 04:58:22 PM »

Quote from: Indofunk on August 22, 2014, 04:38:54 PM

Quote from: Adam Doe on August 22, 2014, 04:21:57 PM
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...

Indofunk · « **Reply #18 on:** August 22, 2014, 05:08:47 PM »

Quote from: BAC1967 on August 22, 2014, 04:58:22 PM

Quote from: Indofunk on August 22, 2014, 04:38:54 PM
Quote from: Adam Doe on August 22, 2014, 04:21:57 PM
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...

I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe

)

gsgary · « **Reply #19 on:** August 22, 2014, 05:14:19 PM »

Quote from: BAC1967 on August 22, 2014, 04:58:22 PM

Quote from: Indofunk on August 22, 2014, 04:38:54 PM
Quote from: Adam Doe on August 22, 2014, 04:21:57 PM
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...

I can't remember what film this was but it was colour C41 developed in Rodinal

But this is 13 years out of date and cheap C41 developed

Indofunk · « **Reply #20 on:** August 22, 2014, 05:15:21 PM »

Quote from: Indofunk on August 22, 2014, 05:08:47 PM

Quote from: BAC1967 on August 22, 2014, 04:58:22 PM
Quote from: Indofunk on August 22, 2014, 04:38:54 PM
Quote from: Adam Doe on August 22, 2014, 04:21:57 PM
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...

I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe )

Might as well post an example, huh? After all it IS the weekend thread

Kodak Gold, Rodinal 1:100 1hr

Bryan · « **Reply #21 on:** August 22, 2014, 05:25:09 PM »

Quote from: Indofunk on August 22, 2014, 05:15:21 PM

Quote from: Indofunk on August 22, 2014, 05:08:47 PM
Quote from: BAC1967 on August 22, 2014, 04:58:22 PM
Quote from: Indofunk on August 22, 2014, 04:38:54 PM
Quote from: Adam Doe on August 22, 2014, 04:21:57 PM
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.

Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.

Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...

I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe )

Might as well post an example, huh? After all it IS the weekend thread

Kodak Gold, Rodinal 1:100 1hr

Awesome, I now have a pile of Black and White film to shoot! I have been hesitant to use this film not knowing what speed to shoot it at. I send my color film to a lab for processing and the cost can add up doing experiments and getting back bad results.

SLVR · « **Reply #22 on:** August 22, 2014, 05:38:22 PM »

Quote from: gsgary on August 22, 2014, 04:54:02 PM

I can't wait to sort out my Double X so it will fit my bulk loader if they look this good at 1600, what developer did you use ?

Rodinal 1:100 2 hours inversion at 1h

gsgary · « **Reply #23 on:** August 22, 2014, 05:39:15 PM »

Thankyou very much got loads of Rodinal

thatguychad · « **Reply #24 on:** August 22, 2014, 05:44:21 PM »

Quote from: BAC1967 on August 22, 2014, 04:05:42 PM

I had to drive across Washington State earlier this week to look at an upcoming project in Idaho.

Northern Idaho?

Bryan · « **Reply #25 on:** August 22, 2014, 05:47:13 PM »

Quote from: thatguychad on August 22, 2014, 05:44:21 PM

Quote from: BAC1967 on August 22, 2014, 04:05:42 PM
I had to drive across Washington State earlier this week to look at an upcoming project in Idaho.

Northern Idaho?

I went to Orofino, near Lewiston in the Southern part of the panhandle.

Hungry Mike · « **Reply #26 on:** August 22, 2014, 06:19:05 PM »

Quote

Rodinal 1:100 2 hours inversion at 1h

I absolutely loved the look I got from the XX developed this way. My series from the Toronto Aquarium http://www.filmwasters.com/forum/index.php?topic=6980.0 was developed this way.

Quote

Adam: I don't shoot a lot of expired film

I've had some luck with expired film doing it in a 1 hour stand with a Xtol dilution of 1:4, I found the grain not as intense as it is with Rodinal.

thatguychad · « **Reply #27 on:** August 22, 2014, 06:19:29 PM »

Quote from: BAC1967 on August 22, 2014, 05:47:13 PM

I went to Orofino, near Lewiston in the Southern part of the panhandle.

Yeah, pretty north to me.

There are some pretty cool railroad bridges (and possibly tunnels) along highway 95 I'd like to shoot one day.

edthened · « **Reply #28 on:** August 22, 2014, 07:31:56 PM »

Och wun wee foti o' an awfie auld Porcelain Jug we inherited frae re wifes gran.
Tookt wi ma Polaroid SLR680 on Impossible PX680 Gold film

Volker · « **Reply #29 on:** August 22, 2014, 10:37:57 PM »

Indofunk · « **Reply #30 on:** August 22, 2014, 10:47:07 PM »

Nice! What film is that? I love the super-contrasty look!

limr · « **Reply #31 on:** August 22, 2014, 11:21:06 PM »

I find myself at a loss this week about what to post! I have tons of vacation shots I'm still sorting through, and I just shot some Tri-X in the Minolta and also just scanned a roll that I had from last month. Finally decided on these for whatever reason, probably because both the boy's and dog's complete abandon to their immediate pursuit make me chuckle

K1000, Portra 160.

Playing catch by limrodrigues, on Flickr

Running by limrodrigues, on Flickr

Volker · « **Reply #32 on:** August 22, 2014, 11:26:40 PM »

T-Max 400 in Rodinal 1+50
+ some adjustments in Lightroom

Indofunk · « **Reply #33 on:** August 23, 2014, 12:18:32 AM »

Quote from: Volker (dynamo) on August 22, 2014, 11:26:40 PM

T-Max 400 in Rodinal 1+50
+ some adjustments in Lightroom

Excellent! I have some old TMax in my Canonet right now, I was planning to soup it in HC110, but perhaps I shall try Rodinal. How long did you douse it?

gsgary · « **Reply #34 on:** August 23, 2014, 01:00:31 AM »

Quote from: limr on August 22, 2014, 11:21:06 PM

I find myself at a loss this week about what to post! I have tons of vacation shots I'm still sorting through, and I just shot some Tri-X in the Minolta and also just scanned a roll that I had from last month. Finally decided on these for whatever reason, probably because both the boy's and dog's complete abandon to their immediate pursuit make me chuckle

K1000, Portra 160.

Playing catch by limrodrigues, on Flickr

Running by limrodrigues, on Flickr

Love the dog shot

limr · « **Reply #35 on:** August 23, 2014, 03:25:46 AM »

I figured you would, Gary

He totally reminded me of Archie and Rosie and so I had to get a shot of him. You know I love those two dogs of yours!

gary2881 · « **Reply #36 on:** August 23, 2014, 06:00:28 AM »

McDowell-3 by gary2881, on Flickr

Rolleiflex Automat, Fp-4, WD2D+

McDowell-Cr.6 by gary2881, on Flickr

4x5, Efke PL 100. WD2D+

ManuelL · « **Reply #37 on:** August 23, 2014, 08:17:31 AM »

Fantastic stuff again from everyone - can't tell what I like best: crumbling grain elevator, weird colours, running dog...

I got 2 more pinholes:

gsgary · « **Reply #38 on:** August 23, 2014, 12:52:36 PM »

Quote from: limr on August 23, 2014, 03:25:46 AM

I figured you would, Gary He totally reminded me of Archie and Rosie and so I had to get a shot of him. You know I love those two dogs of yours!

I think your dog shot is the same breed, Lakeland Terrier

Volker · « **Reply #39 on:** August 23, 2014, 01:18:46 PM »

@indofunk
> How long did you douse it?
approx. 9min @ 23°C, 3 turns/min.

Here's another one

original_ann · « **Reply #40 on:** August 24, 2014, 12:32:30 AM »

*Fluminian, that first one is such a beaut!!
*gsgary - those are movie star dogs! Gorgeous photos!
*Ed - that's a stunner - the colors are beautiful!
*Manuell - is that a person on the rocks in your first pinhole post? A-MAZING!

original_ann · « **Reply #41 on:** August 24, 2014, 12:54:41 AM »

I'm scanning my vacation polaroids right now. I was lucky enough to a) park behind a beautiful, pristine turquoise colored 1955 Thunderbird, b) open a "new" old box of Type 52 that expired in June 1998, and c) find that the chemicals weren't dried up (hooray!)

original_ann · « **Reply #42 on:** August 24, 2014, 12:57:06 AM »

Ackk! I meant to include a couple others. This is the first time I've ever shot ProVivid 689. The colors are like an opalescent rainbow and varied so greatly between shots within the same pack! I shot one pack in my lg format cam and the other in my medium format cam.
Edit: both packs of film 11yrs old. Trying to start using up my supply going by the oldest polaroid stock, first.

Indofunk · « **Reply #43 on:** August 24, 2014, 01:32:58 AM »

Quote from: original_ann on August 24, 2014, 12:54:41 AM

c) find that the chemicals weren't dried up (hooray!)

How do you do this? I tried out 2 packs of NOS Polaroid film (SX70) and they were both dried out to powders

So now I just open my checkbook up wide and let IP fill in a very large number there

jharr · « **Reply #44 on:** August 24, 2014, 01:34:24 AM »

From Satish's expired Ektachrome that I redscaled and x-pro'd. More on the blog and Flickr.

redscale-016 by James Harr's Photos, on Flickr

Indofunk · « **Reply #45 on:** August 24, 2014, 01:35:47 AM »

Quote from: jharr on August 24, 2014, 01:34:24 AM

From Satish's expired Ektachrome that I redscaled and x-pro'd. More on the blog and Flickr.

redscale-016 by James Harr's Photos, on Flickr

WOW!!! So cool! Feels like I'm underwater! Do you want more?

What ISO worked best? I'm thinking of redscaling a roll myself and trying it out. What tape do I use to stick it back together?

jharr · « **Reply #46 on:** August 24, 2014, 01:54:00 AM »

Quote from: Indofunk on August 24, 2014, 01:35:47 AM

What ISO worked best? I'm thinking of redscaling a roll myself and trying it out. What tape do I use to stick it back together?

I shot 25, 16 and 8 on the same roll and was able to get images from all of them. Brightly lit red/orange/yellow subjects worked better than blue or green subjects. The shopping cart and graffiti shots were at 16 with direct overhead sun. The watermelon/tangerine was at 25 under fluorescent light. The brownie was shot at 8, but it is sitting on a green leafy bush. So, if you were to send me more film

I would redscale it and shoot at 25 for convenience. I used regular 'scotch' tape to stick the film together after cutting it.

Hope that helps.

James

02Pilot · « **Reply #47 on:** August 24, 2014, 03:07:33 AM »

OK, I was going to content myself with just posting one photo, but now you've started talking about redscaling, so I am compelled to post again. You all drove me to this....

Anyway, in a fit of boredom, I acted on the impulse to redscale some Fuji Superia 200 and run it through my Olympus 35 SP. Based on past experiences and some (inconclusive) things I read online, I decided to really blow it out to try to burn through the mask and see if I could get some actual colors out of it. I settled on five stops over as my baseline, and adjusted exposures from there.

The results were interesting. Some shots had a mild warm tint, like this one:

Others had little trace of red, instead looking faded and color-shifted, but showing no indication that they were shot on redscaled film.

It seems some films require a lot of light to blow through the mask, while others can get by with considerably less. Five stops might have been a bit much; I'll try four next time. I realize this probably has virtually zero relevance for the expired slide film y'all were talking about, but this is the internet - threads shouldn't go on this long without pointless tangentialization.

original_ann · « **Reply #48 on:** August 24, 2014, 03:51:36 AM »

Indofunk, sometimes it's the luck of the draw, I suppose. I had another box of t52 that was powder. SUCH a let down. Never had that happen before, but kinda expect it may have let some of my stock get too old and am trying to make an effort to 'use or lose'.

Quote from: Indofunk on August 24, 2014, 01:32:58 AM

Quote from: original_ann on August 24, 2014, 12:54:41 AM
c) find that the chemicals weren't dried up (hooray!)

How do you do this? I tried out 2 packs of NOS Polaroid film (SX70) and they were both dried out to powders So now I just open my checkbook up wide and let IP fill in a very large number there

ManuelL · « **Reply #49 on:** August 24, 2014, 11:17:10 AM »

Quote from: original_ann on August 24, 2014, 12:32:30 AM

*Manuell - is that a person on the rocks in your first pinhole post? A-MAZING!

Thanks Ann! Yes there was a police officer walking around on top of the cliff and a rescue service boat going around at the bottom. Not sure what was going on there. I really hope it was just an exercise and no one fell off the cliff.