Thanks Leon, I think I may chase a Electro for now, I have used the Canonet before and quite enjoyed it but life is for having new experiences.
The RICOH 500G and 500GX series of cameras are bloody great little units.
The main difference between the G and the GX, the GX has:
Mulit exposure switch
Battery Test
Shutter release lock
They both are built solidly and have great little 40mm lenses, the lightmeter is in the lens unit so when you screw on filters it reads through the filters and so compensates automatically - remember to test for Red filter.
The only draw back is you must ask if the lightmeter is working and the battery chamber is free from corrosion. If the lighmeter doesn't work it you can either get it fixed or just use a handheld meter.
My GX has a working lightmeter and my G I have several handheld meters I can choose from.
they slip into the side pocket of your long cargo shorts really easily and are not heavy but are solid built
There are versions after these 2 but they became plasticy, there is a wind up motor drive to but - why?
Wik My PediaI have used the Ricoh 500 in the studio as well. I stuck a cheapy wireless trigger on top and away we went.
Really freaked out people who were expecting really big sexy expensive looking cameras to be pointed at them and then have a Ricoh 500
There will always be discussion about whose lens is the sharpest or fastest but across the RF range you can't go far wrong with the Ricoh 500/ Canonet 17, 19 25/Konica/Olympus/Yashica all the ones from around the late 60's through the 70's
Once they got into the late 70's it all went a bit plasticy much like these guys: