More interesting points, good discussion. Thanks everyone.
I take the points about being true to the neg and trying to retain purity of the picture, but, traditional prints and alternative process prints, once the photographer/printer is finished printing can look very different from the starting print.
Black & White Photography magazines monthly printing feature, where two printers will show different interpretations of the same neg is a very interesting read. Interesting to see different styles and approaches in the darkroom.
I know the textures thing is something that bothers a lot of people, it's something I have been experimenting with, have made a few prints (digital light jet from scanned neg) and was happy with how they turned out. The next step for me is to figure out how I can do something the same in the darkroom. I can foresee a fair amount of paper wastage in the near future...
So, is that not part of a creative process? Having an idea, then figuring out how to get to the end print?
I've no doubt there are boundaries, but they don't seem clear, at least not to me.
I don't like inkjet prints either, I don't think anything beats a wet print. Maybe that's part of the problem, the lack of printing, it seems an awful lot of pictures never make it past online galleries, they never get printed, but what looks good on screen and good on paper can be two different things...
A Photographer & Digital Artist (if that is the correct term) I like called, Benedict Campbell said in an interview, he felt sorry for younger photographers these days as many of them are missing out on working in a darkroom and learning the skill of making a good print (he himself worked as a printer for David Bailey for a number of years) they are let loose with photoshop and imaging software without have much of an idea of what makes good prints.
That makes a world of sense to me. And, with my own reasoning, using PS to make textured prints is helping me figure in my own head of where to at least be able to make a start trying to recreate the process in the darkroom.
Arse about face a bit maybe... lol.
Again, let me say, this is an honest question. I'm fairly new to photography and am very much fumbling my way around.
Thanks again all.
Sinead