I think there are many people now who work in a type of hybrid environment as you described... shooting film, yet scanning and printing digitally. One thing is from every roll there is almost never a need to print every photo... so, if you get process only, scan the ones you want, make your correction, and then print from there you can save a bit.
Color correction is always tough and a skill that just has to be worked out... a good scanner and scanner software is a must though, and will put you back for the initial investment. I use an Epson 4990, but scan mostly medium format and large format. I wouldn't even bother scanning 35mm on it as the results are typically not worth much more than on screen viewing (at least in my opinion). If you are scanning primarily 35mm, look into a dedicated film scanner.
Another option to consider is that most labs now process film using digital workflows, and it can usually be scanned fairly inexpensively by the lab as it's processed. Depending on the size and quality of the scans you need it may or may not be worth it...
-Jason