Author Topic: It's Friday again (2-3-18) (Read 2741 times)

Pete_R · « **on:** March 02, 2018, 09:45:34 AM »

Seems I'm starting again.

APX. Zeiss 18mm (the one Francois made me buy), Contax 139.

Jeff Warden · « **Reply #1 on:** March 02, 2018, 01:50:34 PM »

Looking good, Peter. I guess they're waiting for high tide?

Some color from a mid week walk.

Zeiss Ikon/ZM Sonnar 50mm/Provia

02Pilot · « **Reply #2 on:** March 02, 2018, 02:15:04 PM »

One from a forthcoming photo essay.

MiguelCampano · « **Reply #3 on:** March 02, 2018, 02:30:32 PM »

Happy Friday! Lovely shots, everyone! Jeff, we'll have to meet up in Philly at some point and do a photowalk around.

This one was taken last summer in Philly with Tmax 100 developed in Ilfosol 3.

Goin' Places by Miguel Campano, on Flickr

This one, in Philly again. Used Portra 400 and a polarizer filter.

Old vs New by Miguel Campano, on Flickr

Take care!

Francois · « **Reply #4 on:** March 02, 2018, 03:22:31 PM »

Quote from: PeterR on March 02, 2018, 09:45:34 AM

Seems I'm starting again.

APX. Zeiss 18mm (the one Francois made me buy), Contax 139.

See, I knew you would put it to good use

Bryan · « **Reply #5 on:** March 02, 2018, 04:19:58 PM »

Nice start Peter, I'm surprised they allow them to beach ships like that, I think you would get a huge fine if you did that here. You would probably also damage the ship on our rocky coast.

Nice colors Jeff, I just sent a few rolls of Velvia to the lab, I'm hoping for colors like that.

These were shot on my hike with James last weekend in Palm Springs. This was my first roll through my Kodak Medalist and I like it despite the fact it weighs over 5 pounds. Kodak TMX 100 developed in beer.

Tahquitz Canyon Rock Formation by Bryan Chernick, on Flickr

Tahquitz Canyon Boulder by Bryan Chernick, on Flickr

Tahquitz Canyon Weir by Bryan Chernick, on Flickr

Jeff Warden · « **Reply #6 on:** March 02, 2018, 04:39:48 PM »

Thanks guys,

Bryan I've really fallen for E6. It's much easier for me to scan it because I have the slide right there to remind me of the color when I made the exposure. I have moderate color blindness so scanning color has always been a frustration. E6 to the rescue!

Miguel, PM on the way. Pizza and Portra. Beer and bromide. Tequila and TMax.

Kai-san · « **Reply #7 on:** March 02, 2018, 05:05:24 PM »

Peter, that 18mm looks very good, tempting...........

Contax N1 / Zeiss Planar 80mm f2.0 / Fuji Acros @ 200 ISO in Xtol

Pete_R · « **Reply #8 on:** March 02, 2018, 05:06:31 PM »

Quote from: Bryan on March 02, 2018, 04:19:58 PM

Nice start Peter, I'm surprised they allow them to beach ships like that, I think you would get a huge fine if you did that here. You would probably also damage the ship on our rocky coast.

This location has the second highest tidal range in the world and when the tide goes out, it goes out about 1 mile. So you would either need a deep harbour that remains flooded even at low tide, a very long pier that reaches out at least a mile, or boats become beached at low tide.

Pete_R · « **Reply #9 on:** March 02, 2018, 05:07:48 PM »

Quote from: Bryan on March 02, 2018, 04:19:58 PM

These were shot on my hike with James last weekend in Palm Springs. This was my first roll through my Kodak Medalist and I like it despite the fact it weighs over 5 pounds. Kodak TMX 100 developed in beer.

Did you use a filter on these Bryan?

Bryan · « **Reply #10 on:** March 02, 2018, 05:17:06 PM »

Quote from: PeterR on March 02, 2018, 05:07:48 PM

Quote from: Bryan on March 02, 2018, 04:19:58 PM
These were shot on my hike with James last weekend in Palm Springs. This was my first roll through my Kodak Medalist and I like it despite the fact it weighs over 5 pounds. Kodak TMX 100 developed in beer.

Did you use a filter on these Bryan?

Yes, yellow on all of them.

jharr · « **Reply #11 on:** March 02, 2018, 05:45:59 PM »

Here are a couple more from Palm Springs. I think this shot has the same rock as Bryan's 2nd shot.

S2a-Acros-005 by James Harr, on Flickr

Who says midday shadows suck?

S2a-Acros-007 by James Harr, on Flickr

Jeff Warden · « **Reply #12 on:** March 02, 2018, 05:49:31 PM »

Quote from: PeterR on March 02, 2018, 05:06:31 PM

This location has the second highest tidal range in the world and when the tide goes out, it goes out about 1 mile. So you would either need a deep harbour that remains flooded even at low tide, a very long pier that reaches out at least a mile, or boats become beached at low tide.

A mile! That's amazing.

astrobeck · « **Reply #13 on:** March 02, 2018, 06:01:07 PM »

Great start guys!

Mine's my periodic foray into making little lunas with Harmon direct positive paper hand cut and put directly in my K1000 w/ 1.4 Pentax lens then held up to the telescope to make a "one of" photo of the Moon's light.
I develop in caffenol one by one, so it's a tedious process, but when it works it makes me giddy!

Sandeha Lynch · « **Reply #14 on:** March 02, 2018, 06:28:20 PM »

Fancy lens that I hadn't used before, but I figured it might be nice to defocus it for a few shots at this empty and open castle in good sunlight.
Mamiya TLR 135mm and some Tri-X ...

180216_trix_01 by Sandeha Lynch, on Flickr

Blaxton · « **Reply #15 on:** March 02, 2018, 06:48:47 PM »

I really like the photos from James’ and Bryan’s walk in Tahquitz Canyon. Extra points for lugging the Medalist around—seemingly well worth the pain.
Becky's moonshots inspire giddiness.

Some street work from me this week. The first two in Córdoba, Andalusia and the other two in Óbidos, Portugal. Disclaimer: all four were on the street, it’s true, but the last was a more-or-less willing portrait.

Olympus OM1, 50mm Zuiko lens, Arista EDU 100, RO9 1:100, semi-stand.

Córdoba, Andalusia by William Blackstone, on Flickr

Óbidos, Portugal by William Blackstone, on Flickr

Klaus · « **Reply #16 on:** March 03, 2018, 06:33:44 PM »

Good stuff once again this weekend!

Everyone's talking P3200 these days and this remindeded me that I had tried a roll in the mid-90s, exposed to ISO 12500 using my then trusted Prakika MTL3 and just working out the stops in my head. And I managed to find the negatives - with just a note saying "TMZ @ 12500", so no details as to development but I think it was in the region of 30 minutes. Something for the grain afficionados!

High Wycombe Parish Church and views of the town centre - taken about 20:00h as far as I can decipher the clock.

MacArron · « **Reply #17 on:** March 03, 2018, 06:43:10 PM »

From last weekend

Contax RX
Kodak TriX 400
Rodinal 1 + 50

Sandeha Lynch · « **Reply #18 on:** March 03, 2018, 09:25:33 PM »

One from St Fagan's Museum of Welsh Life, Cardiff. It's actually a white wood swing gate.
Soho Reflex, 1928, Ross Xpres 120/4.5, with a 6x6 back

180220_trix_12 by Sandeha Lynch, on Flickr
Tri-X in DDX

cs1 · « **Reply #19 on:** March 03, 2018, 11:30:29 PM »

Great photos everyone. I really like the street saxophonist's portrait, Miguel, the lighting is just excellent. I also really like your Tahquitz Canyon shots, Bryan.

Thanks to Reinhold's advice I finally found suitable developing times for Fomapan 100 in Caffenol-C-H (RS). Here're three photos, all shot with a Canon F-1.

Untitled by C S

Forked Tree by C S

Swing by C S

kentish cob · « **Reply #20 on:** March 04, 2018, 10:13:32 PM »

The breadth of subject matter, styles and treatments showcased in the weekend threads never cease to amaze...

Becky's little lunar prints this week are a delight...

My effort is a recently scanned image from a roll developed back in December.
The last frame on a roll, exposed without a plan, just to get the film out of the camera and into the dev tank...

OM4 - Ilford Delta 3200 rated @ 1600. Developed in D-76

Francois · « **Reply #21 on:** March 05, 2018, 06:58:53 PM »

Went to Montreal yesterday while the weather was nice.
Found a nice mural (too bad the pedestrians walked too fast out of the frame) and a blue house!