Author Topic: Chris Dorley-Brown  (Read 767 times)

Maljac

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Chris Dorley-Brown
« on: May 24, 2018, 09:59:22 AM »
Does this offend anybody else. Tony Ray-Jones and Bill Jay are probably spinning in their graves. Is it the fact that he mentions HCB or regards them as documentary photographs. I can appreciate Jeff Wall and Greg Crewdson's work. Maybe I'm just getting old. :-(

https://amp.theguardian.com/artanddesign/2018/may/20/the-big-picture-chris-dorley-brown-street-corner?__twitter_impression=true

Aksel

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Re: Chris Dorley-Brown
« Reply #1 on: May 24, 2018, 10:23:34 AM »
Is it possible to say I like the results but dislike the method? Looks good, but it´s "fake".
On the other hans, it could be both interesting an humours, being a series of images portraying humans in relation to a given space!?
Like a playground with so many functions, trough out the day and year.
Prosopopoeia, with a camera

Bryan

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Re: Chris Dorley-Brown
« Reply #2 on: May 24, 2018, 01:24:04 PM »
Taking “spray and pray” to a new level.

02Pilot

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Re: Chris Dorley-Brown
« Reply #3 on: May 25, 2018, 01:16:16 AM »
Well, the photographer in question has a very narrow view of omission and addition. He suggests he does neither, but indeed he does add something quite significant: time. And in doing so creates something that wasn't. All photography is deceptive, partial, and false in some way, but this is purposefully so. His "challenge" of HCB's decisive moment is a silly premise that photographic talent with Photoshop skills. It may be some sort of art, but it's hardly straight photography.
Any man who can see what he wants to get on film will usually find some way to get it;
and a man who thinks his equipment is going to see for him is not going to get much of anything.


-Hunter S. Thompson
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http://filmosaur.wordpress.com/