Cool, thanks guys.
I was thinking about magazines with a two-page photo spread where things didn't quite line up, probably in Life or Sports Illustrated since we were such a Henry Luce family, and it would piss me off. But that's life, no? Seamlessness is an ideal, not real. Maybe those separate images, each with their own perspective, is how we view the world before our brain stitches it all together, where we focus on one thing, then the other.
I was watching Breathless last week, the Godard film, and there's this sequence when they're in the car talking and it's jump cut after jump cut -- which goes contrary to creating the illusion of seamless continuity. Sort of the anti-dissolve. This is sort of like a jump cut, not in time but in focus (what we're looking at) and perspective.