it was not the union chapel (I do have a friend who works there) it was Birmingham Cathedral, Laura Marlings whole tour was in cathedrals, I managed to get to two, sheffield (for a solo matinee show, which was stunning) and got the email through about photo pass less than 24 hours before the birmingham gig!
basically if there is an act you want to see/photograph you have to try and get hold of the tour manager. I found Laura Marling's tour managers email on her myspace! so send them a polite email saying you are a freelance photographer looking to expand your portfolio and would it be possible to get a photo pass (I always get stuck on what exactly to say but just say anything as long as it is polite).
I have two more pieces of advice... don't hold your breath, I was so staggered that Miss Marling's tour manager actually got back to me.. unless you have a magazine or some sort of good website behind you you are often ignored. 2nd, keep the night free as you never know when they are going to get back to you... could be 24 hours before (I was lucky but still massively unprepared) could be 2 hours before... could be after door opening time.
anyway I have shot the roll at 1600 and want to get it developed today... not sure whether to not have it pushed at all (like portra) push it 1 stop or 2 stops... any Ideas folks, I really don't know how forgiving this emulsion is and the light was very mixed, her face was light by two spots and the rest of the band were lit by virtually nothing!