OK The pics hit me this way..
1 The fujipet shot has a lovely
Alice in Wonderland whimsy about it, especially in the tones you've presented. But I'm not sure if that's enough to bring home the bacon
2 Curly stairs are always dynamite for a composition. They invite the viewer to follow them, then tease by dipping out of sight. In this case I reckon the top and left of the image is not working hard enough and I'd sacrifice the Diana neg edge and crop this image tighter
3 A nice landscape and I'd like to fish there maybe, but it doesn't have the Zing factor to make me put it on the wall. A bit 'safe', especially compared with your more experimental shots
4 I do like the repetition created by the multi exposure, although that also complicates the composition, when you may need strong initial impact of simple shapes to grab the judges eye. The stairs do that much better. And I keep feeling bugged about that figure, front left
5 The street scene is
almost the winner by a long way. You've created fantastic mood and atmosphere with all the narrative potential street photography can generate. But the 'subject' my eye is drawn to is a dark shape that frustrates closer inspection. Can you do another scan to pull any small details out of that seated person's face or clothes, and then comp it in to this base exposure? Yes, I know that's a digital fix in a analogue pic... but you could otherwise try the same thing with some tight dodging or selective bleaching in the darkroom -if that helps justify the work
Just my 5c worth- Goodluck with the comp.
db