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Warm Tone Developer, circa 1945
EarlJam:
As the war in Europe wound down in Spring, 1945, my dad had time on his hands and started experimenting with warm tone developers for B+W prints. I came across his notebook this week and found his notes on the basic formula and modifications, along with sample prints, which I'll detail in subsequent posts.
In brief, it appears that this formula divides the silver in such a way that it absorbs blue and reflects green and red light. My dad used to talk about another developer he had made that gave a light green tone to the print, apparently reflecting only that part of the spectrum, but I haven't been able to find any notes on that formulation.
If you'd like a PDF of this post, PM me with your email address.
EarlJam:
22 April 1945
WARM TONE DEVELOPER
Original and Basic Formula
Sodium Sulphite, anhy 40 grains
Hydroquinone 7 grains
Potassium Bromide (K Br) 4 grains
Sodium Carbonate, mono ΒΌ ounce
Water to 10 ounces
Use Type 1 paper, give about 8 times the normal exposure and develop for about 3 minutes. Average negatives on contrast 2, without a ground glass in the printer, require about 16 seconds exposure.
EarlJam:
5 May 1945
BROWN TONE DEVELOPER β Modification 1
Sodium Sulphite, anhy 27 grains
Hydroquinone 14 grains
Potassium Bromide (K Br) 4 grains
Sodium Carbonate, mono 60 grains
Water to 10 ounces
Use Type 1 paper, contrast 4, and develop for 3 minutes.
EarlJam:
5 May 1945
BROWN TONE DEVELOPER β Modification 2
Sodium Sulphite, anhy 27 grains
Hydroquinone 14 grains
Potassium Bromide (K Br) 4 grains
Sodium Carbonate, mono 60 grains
Ammonium Chloride 14 grains
Water to 10 ounces
EarlJam:
5 May 1945
BROWN TONE DEVELOPER β Modification 3
Sodium Sulphite, anhy 27 grains
Hydroquinone 14 grains
Potassium Bromide (K Br) 4 grains
Sodium Carbonate, mono 60 grains
Ammonium Chloride 28 grains
Water to 10 ounces
Use Type 1 paper, contrast 4; developing time is less than 3 minutes
NOTE: Developers of this sort containing ammonium chloride give a beautiful yellow tone when wet, but turn to chocolate brown when dry. More dilution, however, might produce other colors.
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