Filmwasters
Which Board? => Main Forum => Topic started by: Fluminian on August 22, 2014, 06:33:13 AM
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Minolta Dynax 7000, Minolta AF 28-105mm f3.5-4.5, Ilford FP4+, Xtol.
(https://farm4.staticflickr.com/3920/14888206402_261cf3a274_c.jpg) (https://flic.kr/p/oFBX4Q)
Minolta Dynax 7000, Minolta AF 28-105mm f3.5-4.5, Lucky SHD 100, Xtol.
(https://farm4.staticflickr.com/3900/14795801817_07bf46f72d_c.jpg) (https://flic.kr/p/oxsmpk)
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So last week I was in Berlin for a couple of days, only had my AE1 and XA2 with me and shot 4 rolls of 35mm. I gave Lomo cine200 another go and well it gave that 80's look a lot more then with the first roll.
(http://u1.ipernity.com/45/20/37/34542037.f0f669b3.800.jpg) (http://www.ipernity.com/doc/734233/34542037)
Lomo cine200 Berlin AE1 051 (http://www.ipernity.com/doc/734233/34542037) par Peter Stoel (http://www.ipernity.com/home/734233), op ipernity
This was at the old airfield Tempelhof, they stopt using it in 2008 and it's a leisure park now...
(http://u1.ipernity.com/45/20/25/34542025.f19134de.800.jpg) (http://www.ipernity.com/doc/734233/34542025)
Lomo cine200 Berlin AE1 048 (http://www.ipernity.com/doc/734233/34542025) par Peter Stoel (http://www.ipernity.com/home/734233), op ipernity
(http://u1.ipernity.com/45/20/31/34542031.026918c4.800.jpg) (http://www.ipernity.com/doc/734233/34542031)
Lomo cine200 Berlin AE1 041 (http://www.ipernity.com/doc/734233/34542031) par Peter Stoel (http://www.ipernity.com/home/734233), op ipernity
A little south of potsdammerplatz I found this old GDR watchtower, bought By three guys after the wall fell, only with the last shot the film didn't advance correctly so half the frame is double exposed. Looks a bit like a frame jitter in an old 8mm camera.... ???
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Excellent set of images Peter
Just the one pinhole from me this week.
Zero 2000 • Ilford Delta 100
(https://farm4.staticflickr.com/3896/14927691575_ccdb5e8abb_c.jpg)
Paul
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Just a simple souvenir shot from an expedition to Russian Karelia last June. The film used here is 35mm Fuji Superia Xtra 400 that I shot at EI 100 and developed in a normal way. Colour balance is quite good IMO. The ugly "Fuji green" is also gone but I can see just a tiniest amount of brownish tint. Almost no visible grain. It looks much better than shooting the film at box speed. You might want to waste some Fuji Superia Xtra film and try it at EI 100-160 sometimes.
(https://farm4.staticflickr.com/3873/14555062031_f3134e35b3_c.jpg)
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Still working my way through the many frames of vacation photos. Here's a sample - Canon L1, Canon 35/2.8, Tri-X in Caffenol-C-H (RS).
(http://i4.photobucket.com/albums/y121/aegaspari/Slovenia%20Summer%202014/10Aug2014-1-32_Modified_Border_zps9da62ecf.jpg)
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More holiday snaps...some Portra 160 in the Yashica 44 around Montreal
(http://u1.ipernity.com/45/58/39/34535839.a9678649.640.jpg) (http://www.ipernity.com/doc/434637/34535839)
William St (http://www.ipernity.com/doc/434637/34535839) par Terry B (http://www.ipernity.com/home/434637), on ipernity
(http://u1.ipernity.com/45/56/87/34535687.edf18d41.640.jpg) (http://www.ipernity.com/doc/434637/34535687)
windblown (http://www.ipernity.com/doc/434637/34535687) par Terry B (http://www.ipernity.com/home/434637), on ipernity
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some XX @ 1600
(https://farm4.staticflickr.com/3860/14963563866_58159e6f08_c.jpg) (https://flic.kr/p/oNhbds)Untitled (https://flic.kr/p/oNhbds) by nownownownow (https://www.flickr.com/people/71415721@N07/), on Flickr
(https://farm6.staticflickr.com/5579/14963564086_ca60931f2c_c.jpg) (https://flic.kr/p/oNhbhf)Untitled (https://flic.kr/p/oNhbhf) by nownownownow (https://www.flickr.com/people/71415721@N07/), on Flickr
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I had to drive across Washington State earlier this week to look at an upcoming project in Idaho. These were all taken in the Palouse of Washington on Monday and Tuesday. They were shot with a Rolleiflex Automat 3.5 TLR Using Kodak Tmax 100. Semi-Stand developed in Adonal 1-100 for 1 hour.
(https://farm4.staticflickr.com/3920/14809310240_d9de8ef767_z.jpg) (https://flic.kr/p/oyDzZb)Grain Elevator (https://flic.kr/p/oyDzZb) by bac1967 (https://www.flickr.com/people/60348236@N07/), on Flickr
(https://farm6.staticflickr.com/5568/14995950465_6d3467cf86_z.jpg) (https://flic.kr/p/oR9aC6)Crumbling Crates (https://flic.kr/p/oR9aC6) by bac1967 (https://www.flickr.com/people/60348236@N07/), on Flickr
(https://farm6.staticflickr.com/5563/14809352528_70953c673c_z.jpg) (https://flic.kr/p/oyDNyh)Harvester (https://flic.kr/p/oyDNyh) by bac1967 (https://www.flickr.com/people/60348236@N07/), on Flickr
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I like TinTin's WIN$$$ and BAC's harvester!
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Thanks 'funk!
one more
(https://farm6.staticflickr.com/5579/14963563926_1c051cbee8_c.jpg) (https://flic.kr/p/oNhbeu)Untitled (https://flic.kr/p/oNhbeu) by nownownownow (https://www.flickr.com/people/71415721@N07/), on Flickr
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Thanks Indofunk and those are great night shots by Tin Tin. I usually do long exposures at night but I should get some of that 1600 film.
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Once I get my HiMatic fixed (??) I plan to use it as a dedicated "Tri-X at 1600" camera :)
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(https://farm4.staticflickr.com/3910/14813085390_eabea7d587_z.jpg) (https://flic.kr/p/oyYWcY)Expired Film - Diamond Restaurant Table Setup (https://flic.kr/p/oyYWcY) by adoephoto (https://www.flickr.com/people/58118324@N03/), on Flickr
I don't know why, but I always find myself shooting the condiment setups in restaurants when I stop in for a bite.
A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
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an F1.1 lens would help too! ;) Its actually just regular old DoubleX pushed from 250 to 1600.
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
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some XX @ 1600
(https://farm4.staticflickr.com/3860/14963563866_58159e6f08_c.jpg) (https://flic.kr/p/oNhbds)Untitled (https://flic.kr/p/oNhbds) by nownownownow (https://www.flickr.com/people/71415721@N07/), on Flickr
(https://farm6.staticflickr.com/5579/14963564086_ca60931f2c_c.jpg) (https://flic.kr/p/oNhbhf)Untitled (https://flic.kr/p/oNhbhf) by nownownownow (https://www.flickr.com/people/71415721@N07/), on Flickr
I can't wait to sort out my Double X so it will fit my bulk loader if they look this good at 1600, what developer did you use ?
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My 2 best mates, Orwo UN54, M4-P + 50F1.5 asph Nokton
(http://gsgary.smugmug.com/Other/Black-and-White-Film/i-LpkQFC9/0/XL/316-XL.jpg)
(http://gsgary.smugmug.com/Other/Black-and-White-Film/i-D7QXkGG/0/XL/313-XL.jpg)
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...
I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe :) )
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...
I can't remember what film this was but it was colour C41 developed in Rodinal
(http://gsgary.smugmug.com/Other/Black-and-White-Film/i-vJbtbTw/0/XL/Dead%20Flower-XL.jpg)
But this is 13 years out of date and cheap C41 developed
(http://gsgary.smugmug.com/Competitions/Miscellaneous/i-FX7wvcm/0/XL/Scan-130607-0001-XL.jpg)
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...
I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe :) )
Might as well post an example, huh? After all it IS the weekend thread :)
(http://fbcdn-sphotos-h-a.akamaihd.net/hphotos-ak-xap1/n1.0-9/1902961_10152251386562278_2033649156_n.jpg)
Kodak Gold, Rodinal 1:100 1hr
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A while ago, a friend gave me his remaining film from the 1990s which was not kept refrigerated. I don't shoot a lot of expired film and certainly not much that is almost two decades past its prime. But I threw a roll of TMax 3200 into my Petri Racer and decided to see what, if anything, would develop. I processed the film in R09 (Rodinal) at 1:25 for 8:00. The resulting negatives were extremely dark, but there were some images. I had to boost the contrast in Photoshop using curves a bit.
Although I am the farthest from an "expert" at this, I've found that Rodinal 1:100 for an hour will develop ANYTHING. I'm shooting a roll of expired and poorly-stored Ektachrome 400 that has a nasty purple tint that I will develop in that way to avoid the purple altogether.
Anything? C41 and E6 film. If that's true I have a lot of expired film I can try that with. Kodak Gold, Kodak Portra 400, Fuji Velvia...
I've xpro'd C41 in Rodinal with great success. This will be my second time trying E6 in Rodinal (the first time wasn't all that successful, but that was my own fault. details later, maybe :) )
Might as well post an example, huh? After all it IS the weekend thread :)
Kodak Gold, Rodinal 1:100 1hr
Awesome, I now have a pile of Black and White film to shoot! I have been hesitant to use this film not knowing what speed to shoot it at. I send my color film to a lab for processing and the cost can add up doing experiments and getting back bad results.
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I can't wait to sort out my Double X so it will fit my bulk loader if they look this good at 1600, what developer did you use ?
Rodinal 1:100 2 hours inversion at 1h
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Thankyou very much got loads of Rodinal
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I had to drive across Washington State earlier this week to look at an upcoming project in Idaho.
Northern Idaho?
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I had to drive across Washington State earlier this week to look at an upcoming project in Idaho.
Northern Idaho?
I went to Orofino, near Lewiston in the Southern part of the panhandle.
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Rodinal 1:100 2 hours inversion at 1h
I absolutely loved the look I got from the XX developed this way. My series from the Toronto Aquarium http://www.filmwasters.com/forum/index.php?topic=6980.0 (http://www.filmwasters.com/forum/index.php?topic=6980.0) was developed this way.
Adam: I don't shoot a lot of expired film
I've had some luck with expired film doing it in a 1 hour stand with a Xtol dilution of 1:4, I found the grain not as intense as it is with Rodinal.
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I went to Orofino, near Lewiston in the Southern part of the panhandle.
Yeah, pretty north to me. ;) There are some pretty cool railroad bridges (and possibly tunnels) along highway 95 I'd like to shoot one day.
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Och wun wee foti o' an awfie auld Porcelain Jug we inherited frae re wifes gran.
Tookt wi ma Polaroid SLR680 on Impossible PX680 Gold film :) :)
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(https://farm4.staticflickr.com/3850/14984548765_1b2cacca03_c.jpg)
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Nice! What film is that? I love the super-contrasty look!
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I find myself at a loss this week about what to post! I have tons of vacation shots I'm still sorting through, and I just shot some Tri-X in the Minolta and also just scanned a roll that I had from last month. Finally decided on these for whatever reason, probably because both the boy's and dog's complete abandon to their immediate pursuit make me chuckle :)
K1000, Portra 160.
(https://farm4.staticflickr.com/3875/14816448839_0b416a26c7.jpg) (https://flic.kr/p/ozhb3t)
Playing catch (https://flic.kr/p/ozhb3t) by limrodrigues (https://www.flickr.com/people/51692918@N05/), on Flickr
(https://farm4.staticflickr.com/3891/15002780562_e387baa63e.jpg) (https://flic.kr/p/oRKaYo)
Running (https://flic.kr/p/oRKaYo) by limrodrigues (https://www.flickr.com/people/51692918@N05/), on Flickr
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T-Max 400 in Rodinal 1+50
+ some adjustments in Lightroom
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T-Max 400 in Rodinal 1+50
+ some adjustments in Lightroom
Excellent! I have some old TMax in my Canonet right now, I was planning to soup it in HC110, but perhaps I shall try Rodinal. How long did you douse it?
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I find myself at a loss this week about what to post! I have tons of vacation shots I'm still sorting through, and I just shot some Tri-X in the Minolta and also just scanned a roll that I had from last month. Finally decided on these for whatever reason, probably because both the boy's and dog's complete abandon to their immediate pursuit make me chuckle :)
K1000, Portra 160.
(https://farm4.staticflickr.com/3875/14816448839_0b416a26c7.jpg) (https://flic.kr/p/ozhb3t)
Playing catch (https://flic.kr/p/ozhb3t) by limrodrigues (https://www.flickr.com/people/51692918@N05/), on Flickr
(https://farm4.staticflickr.com/3891/15002780562_e387baa63e.jpg) (https://flic.kr/p/oRKaYo)
Running (https://flic.kr/p/oRKaYo) by limrodrigues (https://www.flickr.com/people/51692918@N05/), on Flickr
Love the dog shot
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I figured you would, Gary :) He totally reminded me of Archie and Rosie and so I had to get a shot of him. You know I love those two dogs of yours!
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(https://farm6.staticflickr.com/5580/14818631619_127c724da2_b.jpg) (https://www.flickr.com/photos/36419580@N06/14818631619/)
McDowell-3 (https://www.flickr.com/photos/36419580@N06/14818631619/) by gary2881 (https://www.flickr.com/people/36419580@N06/), on Flickr
Rolleiflex Automat, Fp-4, WD2D+
(https://farm4.staticflickr.com/3911/14654740568_3478f8823d_b.jpg) (https://www.flickr.com/photos/36419580@N06/14654740568/)
McDowell-Cr.6 (https://www.flickr.com/photos/36419580@N06/14654740568/) by gary2881 (https://www.flickr.com/people/36419580@N06/), on Flickr
4x5, Efke PL 100. WD2D+
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Fantastic stuff again from everyone - can't tell what I like best: crumbling grain elevator, weird colours, running dog...
I got 2 more pinholes:
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I figured you would, Gary :) He totally reminded me of Archie and Rosie and so I had to get a shot of him. You know I love those two dogs of yours!
I think your dog shot is the same breed, Lakeland Terrier
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@indofunk
> How long did you douse it?
approx. 9min @ 23°C, 3 turns/min.
Here's another one
(https://farm6.staticflickr.com/5569/14981450411_b26f86f028_b_d.jpg)
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*Fluminian, that first one is such a beaut!!
*gsgary - those are movie star dogs! Gorgeous photos!
*Ed - that's a stunner - the colors are beautiful!
*Manuell - is that a person on the rocks in your first pinhole post? A-MAZING!
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I'm scanning my vacation polaroids right now. I was lucky enough to a) park behind a beautiful, pristine turquoise colored 1955 Thunderbird, b) open a "new" old box of Type 52 that expired in June 1998, and c) find that the chemicals weren't dried up (hooray!)
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Ackk! I meant to include a couple others. This is the first time I've ever shot ProVivid 689. The colors are like an opalescent rainbow and varied so greatly between shots within the same pack! I shot one pack in my lg format cam and the other in my medium format cam.
Edit: both packs of film 11yrs old. Trying to start using up my supply going by the oldest polaroid stock, first.
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c) find that the chemicals weren't dried up (hooray!)
How do you do this? I tried out 2 packs of NOS Polaroid film (SX70) and they were both dried out to powders :( So now I just open my checkbook up wide and let IP fill in a very large number there :(
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From Satish's expired Ektachrome that I redscaled and x-pro'd. More on the blog (http://jamesharrphoto.blogspot.com/2014/08/thats-just-crazy.html) and Flickr (https://www.flickr.com/photos/harrlequin/sets/72157646770936411).
(https://farm6.staticflickr.com/5584/14827356557_e1a80e1745_z.jpg) (https://flic.kr/p/oAf5wz)
redscale-016 (https://flic.kr/p/oAf5wz) by James Harr's Photos (https://www.flickr.com/people/12936819@N03/), on Flickr
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From Satish's expired Ektachrome that I redscaled and x-pro'd. More on the blog (http://jamesharrphoto.blogspot.com/2014/08/thats-just-crazy.html) and Flickr (https://www.flickr.com/photos/harrlequin/sets/72157646770936411).
(https://farm6.staticflickr.com/5584/14827356557_e1a80e1745_z.jpg) (https://flic.kr/p/oAf5wz)
redscale-016 (https://flic.kr/p/oAf5wz) by James Harr's Photos (https://www.flickr.com/people/12936819@N03/), on Flickr
WOW!!! So cool! Feels like I'm underwater! Do you want more?
What ISO worked best? I'm thinking of redscaling a roll myself and trying it out. What tape do I use to stick it back together?
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What ISO worked best? I'm thinking of redscaling a roll myself and trying it out. What tape do I use to stick it back together?
I shot 25, 16 and 8 on the same roll and was able to get images from all of them. Brightly lit red/orange/yellow subjects worked better than blue or green subjects. The shopping cart and graffiti shots were at 16 with direct overhead sun. The watermelon/tangerine was at 25 under fluorescent light. The brownie was shot at 8, but it is sitting on a green leafy bush. So, if you were to send me more film :P I would redscale it and shoot at 25 for convenience. I used regular 'scotch' tape to stick the film together after cutting it.
Hope that helps.
James
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OK, I was going to content myself with just posting one photo, but now you've started talking about redscaling, so I am compelled to post again. You all drove me to this.... :P
Anyway, in a fit of boredom, I acted on the impulse to redscale some Fuji Superia 200 and run it through my Olympus 35 SP. Based on past experiences and some (inconclusive) things I read online, I decided to really blow it out to try to burn through the mask and see if I could get some actual colors out of it. I settled on five stops over as my baseline, and adjusted exposures from there.
The results were interesting. Some shots had a mild warm tint, like this one:
(http://i4.photobucket.com/albums/y121/aegaspari/22Aug2014-1-05_Modified_Border_zpsf486072d.jpg)
Others had little trace of red, instead looking faded and color-shifted, but showing no indication that they were shot on redscaled film.
(http://i4.photobucket.com/albums/y121/aegaspari/22Aug2014-1-14_Modified_Border_zps3309447a.jpg)
It seems some films require a lot of light to blow through the mask, while others can get by with considerably less. Five stops might have been a bit much; I'll try four next time. I realize this probably has virtually zero relevance for the expired slide film y'all were talking about, but this is the internet - threads shouldn't go on this long without pointless tangentialization.
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Indofunk, sometimes it's the luck of the draw, I suppose. I had another box of t52 that was powder. SUCH a let down. Never had that happen before, but kinda expect it may have let some of my stock get too old and am trying to make an effort to 'use or lose'.
c) find that the chemicals weren't dried up (hooray!)
How do you do this? I tried out 2 packs of NOS Polaroid film (SX70) and they were both dried out to powders :( So now I just open my checkbook up wide and let IP fill in a very large number there :(
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*Manuell - is that a person on the rocks in your first pinhole post? A-MAZING!
Thanks Ann! Yes there was a police officer walking around on top of the cliff and a rescue service boat going around at the bottom. Not sure what was going on there. I really hope it was just an exercise and no one fell off the cliff.
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It really shows the overwhelming scale!!
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What ISO worked best? I'm thinking of redscaling a roll myself and trying it out. What tape do I use to stick it back together?
I shot 25, 16 and 8 on the same roll and was able to get images from all of them. Brightly lit red/orange/yellow subjects worked better than blue or green subjects. The shopping cart and graffiti shots were at 16 with direct overhead sun. The watermelon/tangerine was at 25 under fluorescent light. The brownie was shot at 8, but it is sitting on a green leafy bush. So, if you were to send me more film :P I would redscale it and shoot at 25 for convenience. I used regular 'scotch' tape to stick the film together after cutting it.
Hope that helps.
James
Ok! I just redscaled my first roll of film! It is loaded in my XA to shoot at 25 (which is as low as the XA goes). I'll send you another roll to work with as well. Thanks for the inspiration!
A note that you all probably know ... after struggling with trying to reroll the film by hand, I had the brilliant idea to just put it in the XA and rewind it in-camera. Definitely a "duh" moment for me, and I'm glad I thought of it before I got too frustrated! :P
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Lovely lovely photos from everyone. Here is one from me I took yesterday evening while sipping beer in a local park. Suddenly I saw a one-legged bench. Nikon FM, APX100, Rodinal 1+25.
(https://farm4.staticflickr.com/3886/15021760292_c5281a678a_b.jpg)
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Nice! Very Escher :)
I just developed a roll of Tri-X in Rodinal, and was reminded how grainy that comes out. I have a love/hate relationship with grain ... :P
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And here it is. Chinatown, NYC, Tri-X unintentionally overexposed a stop or maybe 2, Rodinal 1:100 1hr semi-stand (inversion at 1/2 hour)
(https://farm6.staticflickr.com/5590/15017046771_5747b14700_c.jpg) (https://flic.kr/p/oT1hPv)
Chinatown (https://flic.kr/p/oT1hPv) by Indofunk Satish (https://www.flickr.com/people/12485750@N05/), on Flickr
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And here it is. Chinatown, NYC, Tri-X unintentionally overexposed a stop or maybe 2, Rodinal 1:100 1hr semi-stand (inversion at 1/2 hour)
(https://farm6.staticflickr.com/5590/15017046771_5747b14700_c.jpg) (https://flic.kr/p/oT1hPv)
Chinatown (https://flic.kr/p/oT1hPv) by Indofunk Satish (https://www.flickr.com/people/12485750@N05/), on Flickr
Try putting it in the fridge for the hour stand I have found HP5 grainy in Rodinal but read if you develop it colder you get less grain so tried it in the fridge
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And here it is. Chinatown, NYC, Tri-X unintentionally overexposed a stop or maybe 2, Rodinal 1:100 1hr semi-stand (inversion at 1/2 hour)
Chinatown (https://flic.kr/p/oT1hPv) by Indofunk Satish (https://www.flickr.com/people/12485750@N05/), on Flickr
Try putting it in the fridge for the hour stand I have found HP5 grainy in Rodinal but read if you develop it colder you get less grain so tried it in the fridge
Hey, that's a great idea! I'll try it next time I soup Tri-X in Rodinal (not my usual combo ... I only did it because I was developing a friend's roll of TMax 100 shot at 200 in the same development tank, so I figured Rodinal 1:100 being the great equalizer it would develop both rolls, which it did)
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Im off to the pub now ill try and post a shot from the fridge later or tomorrow
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And here it is. Chinatown, NYC, Tri-X unintentionally overexposed a stop or maybe 2, Rodinal 1:100 1hr semi-stand (inversion at 1/2 hour)
Chinatown (https://flic.kr/p/oT1hPv) by Indofunk Satish (https://www.flickr.com/people/12485750@N05/), on Flickr
Try putting it in the fridge for the hour stand I have found HP5 grainy in Rodinal but read if you develop it colder you get less grain so tried it in the fridge
Hey, that's a great idea! I'll try it next time I soup Tri-X in Rodinal (not my usual combo ... I only did it because I was developing a friend's roll of TMax 100 shot at 200 in the same development tank, so I figured Rodinal 1:100 being the great equalizer it would develop both rolls, which it did)
HP5 stand developed in the fridge
(http://gsgary.smugmug.com/Other/Black-and-White-Film/i-qmwFJQF/0/XL/Scan-130908-0007-XL.jpg)
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Bronica SQA, Arista EDU 200, Rodinal 1+50
(http://i162.photobucket.com/albums/t243/gary2881/55Chevy_zpsfb8f4666.jpg) (http://s162.photobucket.com/user/gary2881/media/55Chevy_zpsfb8f4666.jpg.html)
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My first recovery and scan of an FP-100C negative.
(https://farm4.staticflickr.com/3839/14841048668_12a078652f_c.jpg) (https://flic.kr/p/oBsfHs)
Expectant Mother (https://flic.kr/p/oBsfHs) by thatguychad (https://www.flickr.com/people/13490409@N02/), on Flickr
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I can play this week...
something from a recent road trip- windmills beside old falling down houses always make me take notice..